Thomas Huber.
Nights that stay with you.
On psytrance, spatial design and lasting cooperation.
Thomas Huber
What began with parties in the woods grew into club nights and festival work. Thomas Huber discusses his path through Vienna’s psytrance scene, planning Psytrance Universe and Paradise, and why open communication matters to him as much as music and decoration.
Thomas Huber is managing director and a shareholder of Sun & Moon Event GmbH. He organises Psytrance Universe and has continued Paradise Winter Festival for several years.
From the woods to Grelle Forelle
How did your connection to Vienna’s psytrance scene begin? Do you remember the first night you helped organise, and what you wanted to make different or special?
I first encountered psytrance around 2006/2007. Friends introduced me to tracks by Infected Mushroom, Skazi and then Neelix. A year or two later, we started going to our first psytrance parties: Cosmic Space Disco, for example, which I initially attended as a guest and later took over, or Paradise Winter Festival, which I have also been continuing for a few years now.
At some point in the early 2010s, friends and I began putting on our own, not entirely legal psytrance parties in the nearby woods. The response was huge at the time, and that gave me the idea of perhaps making it my profession, or at least doing it on a larger scale and more often.
I then began organising my first indoor parties at Hyrtl Haus in Perchtoldsdorf. Thanks to a few connections, I was able to move to Grelle Forelle fairly quickly, where we held our first psytrance event in 2014.
Almost from the beginning, my inspiration was to offer people something they couldn’t experience anywhere else in Vienna. I always wanted to book the best acts, clubs and decoration teams to create something that would make people go home afterwards thinking: Wow, what was that?
Developing ideas together

What responsibilities do you take on at Psytrance Universe and Paradise today? How does the team develop ideas for a night, and where do you most enjoy contributing?
I have been managing director and a shareholder of Sun & Moon Event GmbH for several years. Planning the Psytrance Universe events and Paradise Festival therefore usually starts with me and continues in our resident DJ group. That’s also where ideas and bookings are often discussed or finalised.
At the start of the new year, we’ll also be adding a new monthly format at Werk. We’re currently in the creative phase, working on bookings and ideas.
We always try to find solutions in advance and build a lasting spirit of cooperation.
More than one sound
At Psytrance Universe at Werk in September, psytrance was joined by a second floor with harder sounds. What appealed to you about that combination, and what did the night teach you about how guests move between floors?
Since I also used to organise tekno and harder-sounds events, it’s tempting to bring that kind of sound into our psytrance events more often. In principle, I really like the idea of bringing several different sounds together in one night so we can simply offer the audience more.
When the room becomes part of it

Decoration and the feeling of a space also shape a psytrance night. How do you talk to the people creating that environment? Have you seen an idea change the way music is experienced in a room?
Decoration and spatial design really are among the hallmarks of psytrance parties. In my opinion, they also make the biggest difference compared with other electronic music events. We keep trying to create something new and show the audience things they may never have experienced before.
Right now, we’re working with a well-regarded stage designer on a wooden installation with LED lights, which is intended to be used at our parties at Werk from January.
Working together, not against each other
How has the way people work together in the scene changed over the years? And what do you want to preserve or try out at your upcoming events?
Preserving open communication in the psytrance scene is very important to me. That’s what I learned from my ‘mentors’, and I try to carry it into the future. Whether it’s coordinating dates, discussing bookings or decoration teams and so on, we always try to find solutions in advance and build a lasting spirit of cooperation. Working against each other only creates losers.
2027 is going to be a really exciting year for us! As always, it begins in January with Paradise Winter Festival. After that, though, there’s almost no break until well into the summer. The ideas simply never stop. :)
Thomas Huber
Interview by email · Editorial and image art direction: SCENE:ID. Warda · Christopher Kropat